Autor: António MARQUES

Resumo:

The present text aims to identify in Kant’s third Critique some main figures of mediation between morals and aesthetics. In the kantian system, not only nature and reason are separated by an unbridgeable gap, but also morals and aesthetics are different domains of the rationality, which are grounded on different principles. Nevertheless the third Critique explores the possibility of some mediation figures, that can overcome the mentioned gap. This is the task of the reflexive aesthetic judgment and its systematic work. In this process of the aesthetic judgment, the figures of a universal agreement among subjectivities and the moral value of the aesthetic symbol, seem to acquire a central systematic role.

Texto Completo: http://www2.marilia.unesp.br/revistas/index.php/ek/article/view/7076